o lepidopterist he has a hooked nose,
a tall forehead unusually round
at the top, ill-fitting hairline to the sides
The lepidopterist
Mother, Weep Not for Me
When you came to see me,
I couldn’t see your face
from the fibreglass window.
If you glanced at my crippled body,
you could truly believe that I was still alive.
Poems by Tatum Hamernik
I don’t know if you cared
Or you lied
About wanting to get to know
Who I am
But I can’t stop replaying that night
In my head
With the soundtrack of an 80’s song
Looping around
It’s not words that I remember,
It’s senses
Behind the Curtain: Backstage Glimpses of Veerapandiya Kattabomman
This photo essay covers the backstage events of Veerapandiya Kattabomman Natakam staged in Soorangudi, a village in the southern part of the Thoothukudi district of Tamil Nadu, concerning the Perumal Kovil temple festival in 2022.
Waiting For the Light
the bookmark lay still on the floor,
a corpse unmoved by the scene.
Together We Rise: Solidarity with the Women of Malayalam Film Industry
Immediate action against the alleged perpetrators, regardless of their political positioning, is the need of the hour.
Bong Joon-ho’s ‘Memories of Murder’ as Political Critique
Bong Joon-ho’s Memories of Murder is not just a spectacular crime thriller movie with many twists and turns, but also a political critique of the military dictatorship of General Chun Doo-Hwan, seen by many as a dark chapter in South Korean history.
A New Star into the Political Galaxy
Film has become increasingly pervasive in almost all aspects of Tamil society and perhaps most prominently in political life.
The Temple Project: Selective Amnesia of the Past
The convenient forgetfulness of the media is, then, but an instance of how the fourth estate has, in the age of neoliberalism, become a pawn …